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Grateful Dead Live at Hampton Coliseum on 1979-05-04




Set 1:
d1t01 - Tuning
d1t02 - Mississippi Half-Step Uptown Toodeloo ->
d1t03 - Franklin's Tower
d1t04 - Mama Tried ->
d1t05 - Mexicali Blues
d1t06 - Candyman
d1t07 - Lazy Lightnin' ->
d1t08 - Supplication
d1t09 - Loser
d1t10 - New Minglewood Blues
d1t11 - Don't Ease Me In
d1t12 - Passenger

Set 2:
d2t01 - Tuning
d2t02 - I Need A Miracle ->
d2t03 - Bertha ->
d2t04 - Good Lovin'
d2t05 - Ship Of Fools
d3t01 - Estimated Prophet ->
d3t02 - Eyes Of The World ->
d3t03 - Drums ->
d3t04 - Space ->
d3t05 - Truckin' ->
d3t06 - Stella Blue ->
d3t07 - Around And Around


Collection GratefulDead
Band/Artist Grateful Dead
Date May 4, 1979
Venue Hampton Coliseum
Location Hampton, VA

Source (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90)
Lineage Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
Taped by Joani Walker
Transferred by Charlie Miller


Notes

Patch Info:
Nakamichi 700 -> Cassette Master -> Dat -> CD (shnid=18878) supplies:
Bertha (2:36 - 2:44)
Drums (3:19 - 3:37)

Notes:
-- Set 2 is seamless
-- No Encore played
-- Recorded By Joani Walker
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Patch source recorded by Robert Wagner and Barry Glassberg
-- Patch source pitch adjusted to match Joani's tape

Reviews

Reviewer: kbmill - - September 4, 2014
Subject: bread crumb
You can certainly hear why Brent was the answer. The organ, a little creamier here than he would evolve to, adds a texture that just wasn't a part of the mix with Keith's plinking about. Thinking about the context of the late '70s, when punk and new wave were at the cutting edge, the band is simply more agressive in a way that has not been evidenced since 1971.

Another great audience recording. Just like being there.
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Source: Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS)
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Source: source: (2)audio technica atm 11/(2) beyers 160> mixer> tcd-d5>mc; conversion: sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: Set 2 Only source: 2 Beyer M160 microphones-11th row/center> Sony TC-D5M - analog master cassette;
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
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